D.O.B: 1975


Pwerle approaches the canvas with much more than the usual degree of confidence. Her lines are bold and sure, echoing those of her grandmother Minnie Pwerle, but with the assurance of a much more practised artist than her years of experience would suggest. The brushwork in her designs, Awelye, has all the characteristics of this family dreaming, but Charmaine lends her own distinct creative flair, pattern and movement to the canvas.

Charmaine is definitely a family person and lives in Alice Springs with her four daughters, son and large family. Her education has been varied, to say the least. Straddling the worlds of the remote outpost of Utopia (280 km North East of Alice Springs) until the age of seven, then immediately following this, the urban environment of Adelaide where she was sent to ‘improve her education.‘

At the age of ten, Charmaine returned to Utopia School for a further year, before attending St. Phillips College in Alice Springs. Next on the agenda was Alice Springs High School and then she returned to Utopia for a few years before moving back to Adelaide to study.

In 1992, Charmaine returned to Utopia and worked for Urapuntja Council as a junior administration assistant while living with her mother Barbara Weir and grandparents Minnie Pwerle and Motorcar Jim at Soakage Bore, on an outstation on what used to be Utopia Station. During the years she spent at Utopia, Charmaine’s education extended to embrace her people’s culture, performing in ceremonies and learning the sacred stories passed on to her by her grandmothers. Charmaine’s early works were impressively executed and rich with culture and expression. In the years that have followed, she has developed her obvious talent and appears to be following in her mother’s footsteps, as one of the most sought after artists living and working today. Her exhibition history both nationally and internationally is growing exponentially, and her work is starting to be acquired by major institutions such as the NGV.


Charmaine Pwerle’s artwork ‘Awelye Atnwengerrp’ represents when the Women paint each other’s breasts and upper bodies with ochre markings, before dancing in a ceremony. The body designs are important and, painted on the chest and shoulders, and relate to each particular woman’s dreaming. The ochre pigment is ground into powder form and mixed with charcoal and ash, before being applied with a flat padded stick or with fingertips in raw linear and curving patterns. The circles in these designs represent the sites and movement where the ceremonies take place.


Atnwengerrp Country:
The lines in the painting depict the tracks that her people made as they trekked across the country in search of food and dry river beds. The large semi-circular shapes represent the sandhills and valleys. The dark colour represents the path of a fire that has swept across the land. There may also be an outline of a person or unusual shapes that convey Dreaming spirits that dwell in the plant and animal life.


Charmaine Pwerle x The Rug Collection collaboration.



Charmaine Pwerle x The Rug Collection:

The latest collaboration between Charmaine Pwerle and The Rug Collection features a four-piece collection of hand-woven rugs celebrating the Pwerle Gallery artist’s work. The collection transports the narratives of Pwerle’s ancestral Dreamtime into the heart of the home, inspiring a universal spirit of connection through each design. 


“I never imagined that I would have the opportunity to display my artwork in a form like this,” says Pwerle, who continues the Pwerle family’s renowned artistic legacy encompassing her mother Barbara Weir and grandmother Minnie Pwerle. “I’ve been painting for a while and I am grateful for this wonderful opportunity to be able to share my work with people to enjoy.”


In early 2021, in collaboration with The Rug Collection and Pwerle Gallery, Charmaine Pwerle was the next featured artist for her own rug collection. An Indigenous rug collection that pays homage to Dreamings, Country and Ancestors. The creations are very close to Charmaine’s heart, as each piece is named after her four daughters; Malangka, Kwerralya, Akarley and Anjurra. Each name has been chosen and passed down to them from their ancestors, all of which, have a deep connection and meaning to the country. 


Charmaine Pwerle is certainly an established artist, with her works being sourced for prominent collections worldwide.




2020 Pwerle Gallery x Tandanya National Aboriginal Cultural Institute‘Atnwengerrp – Our Apmere, Our Place’ in celebration of Tandanya’s 30th year anniversary, Adelaide.

2020 Colours of Spring, Kate Owen Gallery, Sydney.
2020 Top Ten – Our Most Popular Artists 2019, Kate Owen Gallery, Sydney.
2019 Summer Show & Art Parade, Salt, Queenscliff, VIC.
2019 BP Centenary Celebration Exhibition (touring nationally).
2019 defining tradition | black + white, Kate Owen Gallery, Sydney.
2019 International Women’s Day, Kate Owen Gallery, Sydney.
2019 defining tradition | the colurists, Kate Owen Gallery, Sydney
2018 Pwerle Gallery ‘Utopia exhibition of four generations’, Adelaide.
2018 Mercedes Me x Pwerle Gallery Art Exhibition at Mercedes Me Melbourne.
2018 Spring Colours, Kate Owen Gallery, Sydney.
2018 My Country, Salt, Queenscliff, VIC.
2018 Earth’s Creation, Emily Kame and Family, Kate Owen Gallery, Sydney.
2018 Utopia Women, Merricks Art Gallery, Merricks, VIC.
2017 Atnwengerrp Revisited, Kate Owen Gallery, Sydney.
2017 Sacred Marks, JGM Gallery, London.
2017 Utopia: the artists of Delmore Downs, Yaama Ganu Gallery, Moree.
2016 Winter Salon, Whistlewood, Shoreham, VIC.
2015 Sixteen Artists, Japingka Gallery, Fremantle.
2015 Alpitye Art Studio, Alice Springs.
2014 Far North-Great South, Le Mans Contemporary Arts (MAC), Collegiate Church of St Pierre La Cour, Paris, France.
2012 Heirs and Successors, Japingka Gallery, Fremantle.


2021 Ravenswood Art Prize – Finalist
2018 Paddington Art Prize – Finalist

See below some of her beautiful pieces for sale: